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Lori Rice

Photography | Styling

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Best Beers for Food Photography

No time to read? You can listen to this post instead. Just click the play button.

When a beer style is not the focus of my shot and the drink is a supporting factor in the scene, I like to make things easier on myself. 

After shooting two of my own cookbooks that included beer in almost every shot, Food on Tap and Beer Bread, I’ve learned quite a bit about which beers will allow me to quickly nail a shot and which are going to need some extra care to capture well.

I choose a beer for food photography that holds its freshly poured look. Some beers are much better for that than others. When I’m simply adding beers to my shots and not showing off a particular beer brand or style, I tend to steer away from craft styles and take advantage of more widely produced beers. 

Best-Beers-for-Food-Photography-Lori-Rice.jpg

This is because 1)  they are often styles that hold their head or collar longer, and 2)  they are less expensive and I can afford to pour and pour until I get exactly the shot I want. 


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My favorites:


Stouts. Specifically nitro stouts and if it is in a can with a widget, even better. Yes, I’m talking Guinness here. If I could shoot with one stout all day long, this would be it. When you pour hard, that head will hold for what seems like hours compared to other beers. You can take shots to your heart's content and you’ll have your pick of several favorites in the end. 


Porters. A style very similar to stouts. Many porters will have a nice, long-lasting collar as well. 


American Light Lagers. The cheaper the better. You’ll need to pour hard and then let the head settle. It will fade much faster than a stout. The benefit is that you can use techniques to re-foam the beer, then dump and pour until you snag your shot without the worry that you are wasting something expensive or special.


Hefeweizen. If you are wanting a thicker, creamier look to your beer, versus a clear, light lager, try shooting with a hefeweizen from the imported section of the beer department. The foamy head tends to last somewhere between the time frame of a stout and light lager. 



Additionally, when shooting beer, I keep these two things in mind. 

Don’t try to create something that doesn’t exist. Many beers have foam heads that are either non-existent or that last a split second after being poured. Many brown ales and juice or hazy IPAs come to mind. 

Capture the beer as it would be served to you. There is no need to stress about trying to create and hold a foam head when there was never one for that style there in the first place. 


Use a beer-clean glass, regardless of the style or size of glass you use. If you don’t know what that is, I love this graphic from Cicerone.org where I have my Beer Server Certification. It shows the difference between a dirty and clean glass when it comes to the visibility of a beer. 









tags: beer photography, drink photography
categories: Styling Tips
Thursday 10.08.20
Posted by Lori Rice
 

Essentials for Creating Fall Harvest Product and Food Photography at Home

Fall-Harvest-Food-Photography-at-Home

Fall harvest photography shoots are some of my favorites. Over the years, I’ve come up with a list of things that really make them come to life. 

Whether the subject is pumpkins, apples, pomegranates, even sweaters and boots, having a few of these things on hand will give you the moody, comforting feel you are trying to create.

Reclaimed wood surface. 

Don’t have access to any planks? Find a deck, the seat of a rustic wooden chair or stool, or the top of a wooden dresser. If wood isn’t your favorite, no problem. Choose warm colors with browns and golds. Even a large piece of fabric will work. 


Dark woven baskets. 

I don’t veer far from dark tones for baskets in fall because with the right light control, they compliment fall foods and products beautifully. 

Deeply colored linens. 

I love solid, true linen material in dark teal, but brown, gold, and gray work well, too. 



Fall-Harvest-Photography-Tips.jpg

Scarves.

Substitute table linens with fall scarves. Yes, everything in a food photo doesn’t have to come from the kitchen! Plaid is my favorite, but you might like a chunky, warm knitted option.




Fall-Photography-Tips.jpg

Contrasting linens in airy textures.

If you want to add a soft touch to the darker colors of autumn. Light and airy linens pair beautifully with heavier materials and darker shades. Choose lace such as a lace curtain or piece of material from the fabric store. Natural-colored cheesecloth is a great option as well. 



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One to three dry elements in earthy colors. 

Style the image adding in some earthy elements. My go-tos are nuts in the shell, dried greens such as eucalyptus or pine, and dried herbs on stem, such as thyme.




Creating-Dark-Moody-Photos.jpg

One to three black foam boards.

These will help you create a darker scene and directional light so that the portion of your image that you want illuminated is spot on. How many you need depends on the available natural light on your photo set. Use them to control the light as seen in the image . 







You can use the above list as steps to build your set, or choose two or three of them to complete your scene.



tags: fall harvest photography, fall photography, styling, props
categories: Styling Tips
Thursday 10.01.20
Posted by Lori Rice
 

Styling Tips for Shooting Overhead Images

Styling Tips for Shooting Overhead Images.jpg

Some foods and products are a perfect fit for overhead shots. But when you look straight down at a big, flat blank canvas you might encounter a few creative blocks that don’t immediately hit you when approaching a set from a 45 degree angle. It can leave you wondering how you should fill all that space.

Keeping my core 5 words in mind, I like to approach overhead photos by answering three main questions. 

  • Where will my directional light enter the image?

  • Are there multiple heroes or just one?

  • How can I add interest by maximizing negative space? 

Let’s explain how these would be answered with photos.

Directional light? This helps me decide with styling by putting what I want to highlight the most in my image more towards my light source. 

Overhead Directional Light.jpg


How many heroes? Multiple heroes mean I’ll likely have an image with the frame filled with subjects. If there is one hero, I have the choice of keeping it right in the center or following more of a rule of thirds as well as filling the frame or creating negative space for text. 

Overhead Multiple versus One.jpg
Overhead Center Versus Rule of Thirds.jpg


How can I incorporate negative space? Negative space is perfect when you want to add text overlay to an image or simply to add creative interest.

Overhead Negative Space.jpg


Approaching overheads in this way puts you on a clear path for how you will or should fill the space based on what you are photographing and what you envision for the final image. 






tags: overhead photography, photography tips, food styling
categories: Styling Tips
Friday 07.10.20
Posted by Lori Rice
 
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